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Unfaithfulness in spreading and investing it
Published in Alriyadh on 08 - 08 - 2011

What concerns the Arab public minds and what most of newspapers master showing its negatives is the annoying or actually the frightening changes that the Arab societies are facing of consecutive contradictions. If the yesterday's youth are tempted with following the nationals thoughts as well as the Baathists and those that pretend liberalism and secularism, where we used to think fifty years ago that the Arab societies are lucky to build a reforming existence that competes with Russia, then after years after the fall of communism what was required is competing with America. But the life facts proved that our revolting Arab societies didn't have any of Russia's subjectivity when it changed its situations, and is not valuing America's abilities in its priorities' stability. It is clear that the societies went out of ruling systems that were fairer to systems that eliminated any social existence in the practices of its continuity.
I suppose that us, being from Gulf or Saudi in specific, where we were not accused of backwardness in the past nor currently, because from the reality evidences, we are living an advancement situations towards the modernity of civilization existence and the fair social building. The evidences of projects and the quality of the citizen's practices prove that, and in opposition to the Salafi obstinacy that wants to limit the ambitions by the past routines didn't mean a conflict with the believes and morals, and thus it is supposed that there will be no conflict. But if we observe the reality of some artistic presence situations in some art television sites we will find that there is an unmoral presence that Salafis don't agree with nor the socially aware majority, when we find that the specific televisions used the partial nudism as promotional ways for the songs of the singers, but what is happening is not listening to them rather watching the partial nudism scenes in which the dancer shows her whole chest and under-buttocks.
None of the singers acquired the position of Mohammad Abdelwahab, Abdelhalem Hafith, Wadie Al Safi, Um Kalthum and Fairoz, or even Tahya Karyaka and Samia Jamal. The scenes are made to obtain two goals; advertisement profits and in the same time introducing the singer not by her voice and music but through the semi-nude body, while we objectively know that the Arab societies in general the woman don't leave modesty appearances, and there are some societies where it is rare to see a woman without hijab. How did this immoral invasion break into immoral art shows? This situation comes in a phase in which we are the ones that are clear of our future and the other societies are searching for their lost rights, as if those shows are some of the rights, and if it is said so then they are immoral.


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