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Theatre of blood comedy
Published in Alriyadh on 13 - 04 - 2011

Leave politics and differences aside. We wrote and read again and again about that. It is really boring to repeat the same words and facts. We are sorry to watch the events which affect Arab and Islamic existence presenting only news of differences and chances of a war. The recipients of this news suffer the repetition of events and wonder how peoples do not learn from the repetition though it is a very hot zone?
What if we, as Arabs and Muslims in the Middle East, are plagued with some satire writers who narrate our deterioration day after day? How can other objective writers narrate the ironic deterioration in Iran instead of promoting the mistakes as the right deeds?
Regardless of Iran events, you find books discussing the glory of Arabs 60 years ago crying with expressions like "oh the glories of Arab glory"; then after 20 years you search for these glories and find nothing. The satire work is a part of culture consolation because people, all of them, are bored with the tales about stagnancy in the deterioration leaving the progress of life.
I swear to God, Iran repeats a behavior of cocooning when transformed the whole society with a large population and unlimited potentials to stupid submissive followers regarding it as the heavenly messenger to redistribute the earth, doesn't it? Where is the objectivity in igniting the fire of unjustified clashes in the neighborhood? Why does it prefer the Arab not the Turkish or the Pakistanis? What is the motivation behind refusing the existence of gulf, even Saudi, troops in Bahrain: a neighbor country related geographically and familiarly with KSA? Are the integration and cooperation agreement between gulf countries are new or made many years ago? All these questions make you wonder what is the motivation behind Iran attitude now?
The difference between Iran and Arab countries, which are loaded with enmity, is that Iran diverts its people with agitations and allegations against its neighbors while Arab countries prefer to express the conflicts and clashes in a large national theatre containing all paths of backwardness.


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